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Though the majority of “3005’s” lyrics represent loyalty to a girlfriend, the inferred meaning of the song is a search for belonging. The winnin’ reference is probably a shout out to the Charlie Sheen, who became a walking meme due to the internet. This track doesn’t reflect on Gambino Himself, but rather the alter ego in the screen play, “The Boy.” “The Boy” takes pride in his new found fame and fortune on the bridge of the track where he repeats, “I’m winnin/Yeah, Yeah/I’m Winnin /Rich Kid, A**hole/ paint me as a villain”. “Sweat Pants” fits into the consistent “rich-kid” theme of Because of the Internet. Very interesting track, one you can just cruse around to and think, just like Childish. Gambino sings, “Foot on the gas/I’m just trying to pass/All the red lights/And the stop signs/I’m ready to go” towards the muse of this song. “Telegraph Ave” is introduced by a sample of R&B singer Lloyd’s “Oakland, as Gambino himself is driving towards the city of Oakland to see his girl. Gambino shows the range in his voice over the hook, making him a triple threat: bars, melodies and creative story telling. “Shadows,” is a contemporary look at relationships that everyone can relate to on one level or another. Gambino lays down heavy-hearted lyrics over a laid back, neo-soul instrumental.
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The pair have featured several times on record, and this one makes me excited to see what the two will come up with on future projects. The first time I listened to the song I was expecting a verse from Chance, but the fact that he sticks to the hook lets Gambino’s narrative remain the focus of the song. Gambino teams up with rising star Chance the Rapper, for “The worst guys.” Chance’s sole purpose on this track is to repeatedly say, “All she needed was some” on the chorus. This song serves as “buffering time” to the next track, previewing a down tempo version of “The Worst Guys” instrumental. “Dial up” is an interlude into “The Worst Guys”. “Yeah, motherf**ka, take your phone out/To record this, ain’t nobody can ignore this/I’m more or less, a moral-less individual/Making movies with criminals, tryin’ to get them residuals.” These rhymes reference how some people will do anything for their 15 minutes, Worldstar is a shout out to the opportunists, why not. With the over load of music/videos available online, anyone can have a “Worldstar” moment. Gambino raps about how trivial content on the internet is. This track introduces some of the major themes for, Because of the Internet.
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From releasing his flurry of personal Instagram messages earlier in the year, to the BTI screen play, it seems that Gambino is trying to put all of the pieces together on this project, giving Childish Gambino a clear direction as an artist. One of the major themes of Because the Internet, is the search for identity. The first words we hear Gambino deliver on the album are echoed in- “Who am I?” This question is an interesting way to start off the album. The lively vocal samples at the beginning of the track get Gambino hyped, as he preps listeners for his latest release. “The Crawl” sets the tone of, Because the Internet. Setting the stage for, Because the Internet- A simple interlude. When all three of these outlets are taken in, listeners get to experience a Childish Gambino “concept world”, rather than a simple concept album. The album, Because the Internet, is to be put into context with a short film directed by Gambino titled Clapping for the Wrong Reasons, alongside a script released by Glover also titled, Because the Internet. Promotion for the album began mid-August of this year.
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Childish Gambino’s latest release Because the Internet, is the culmination of trial and error, growth and development and straight grinding- the end result is an artist coming into his own. Moving onward form Royalty, it was evident that Childish Gambino made drastic improvements lyrically, and his confidence on the mic seemed to be at an all-time high.įrom the attempts to define personal struggles in Camp, to the boastful swag raps heard in Royalty, the most consistent element in Gambino’s music is his search for an identity. Royalty served as a preview of what Gambino could bring to the table among some of the most well renowned rappers in the game. In an attempt to appease naysayers, Royalty was filled with some of the hottest names in rap: Wu Tang Clans RZA & Ghost Face Killah, Danny Brown, Nipsy Hussle, School-boy Q- and the list goes on. Gambino’s follow up to Camp, was the 2012 mix tape, Royalty. Though well received by critics, Hip-Hop purists refused to accept Gambino as an MC.
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After a series of mix tape releases, Gambino’s first studio album, Camp (2011), was met with mixed reviews. Creditability is an essential factor to fans of the genre, and Childish Gambino has his questioned constantly. Hip-Hop fans have had a hard time accepting Donald Glover aka Childish Gambino as a creditable artist in the Hip-Hop industry.